Green Room Gossip
By (Sir) C.E.S.S. Poole
Your honorary knighted Thespian.
Equal & Opposite
Recently whilst enjoying a relaxed state of
inebriation with a fellow Thespian I began to formulate a theory related to our
profession. We were half way through a game of Scrabble and the fact that my
"Toddie" was empty and the flagon of dry
red my friend had brought with him was almost finished, may have been the
reason we were having to consult the dictionary with
increasing rapidity.
"Actinism" was the word in question.
My friend, Iain Walter Mcpherson another jobbing
actor going through lean times, was eager to use his "Z" on a triple
letter score. I had no idea what the word meant never mind how to spell it.
I was pleased to discover from my Penguin Concise that it was spelt with an
"S" not a "Z" and enlightened to learn that it is the
intrinsic property in solar and nuclear radiation that produces photochemical
activity. I was amazed at my friend's in-depth knowledge of the world of
physics and enquired as to when and where he had come across the word.
"Ach," his Scot's lips mumbled, "I was playing Rabbit at the
time in an adaptation of AA Milne's Winnie the
Pooh." "So," I acerbically retorted, "You gave your
character an Einsteinian-like bent?"
"No," he replied seriously. Not catching my creative drift he rambled
on, "It was roond abute
the late eighties and I had to wear some buck teeth over mi own front teeth and
during a matinee performance I lost them."
By now Iain was beginning to lose me too as my
alcohol-bemused mind could find no connection between the loss of Rabbit's buck
teeth, nuclear physics and solar radiation.
My eyes glanced down the page of the dictionary and I came across the very
short definition given for an "actor." A performer
in a play for stage, film or television.
My God, I thought. What cheek. It's about time the world was given an
explanation of what I and thousands of other jobbing actors are, what it is we
do and why we do it. I must formulate an Einsteinian-like
theory.
Iain mumbled on as the last dregs of red wine in his enamel mug sat
precariously balanced on his knee. He was completely oblivious to the fact that
I had crossed into another dimension and was in a world of my own. We were
suddenly two reminiscing monologues performing simultaneously in the same time
and space.
My monologue took me back to my early days of training at the
Deep words for a bunch of young aspiring thespians to grasp.
We all stood dumbfounded in his class and waited for his next words of wisdom.
"Right," he said, "I want you to blow up these balloons, you can start by using your lungs." As I was
blowing up mine I noticed out of the corner of my eye that he too was inflating
a balloon, but before he started he took a syringe filled with some liquid out
of his briefcase and injected it into the balloon. "Now we are going to
take a trip inside one of the most vile monsters you can possibly imagine and
one of you is going to slay it," he said,
holding his limply inflated balloon in his hand.
A ballsy female student, Annastasia Vampkov, from
The rest of us, apart from myself who was given the
role of storyteller, were to be the insides of the monster. Following my
draconian narration finger and toe-nails became teeth, sweaty bodies became the
tongue, hot garlic smelling breath of two Italian students became the breath of
the monster, the inflated balloons, arms, legs, fingers, and torsos became the
walls of the stomach and intestines.
The teacher whispered an instruction in my ear. "Now, you're reaching the
vital life- sustaining organ of the monster," I said quickly modifying my
narration to fall in line with Keith's instruction, " if
you reach out you'll be able to feel it." The wet liquid-filled partially
inflated balloon held tightly stretched between Mr. Johnson's hands was placed
in easy reach of the terrified Ms Vampkov.
"Grasp it with both hands and rip it out", I intoned in her ear.
She did just that. As the balloon burst covering the unsuspecting lass with
water she screamed loudly and suddenly vomited. A perfectly natural reaction I
thought for a Bulgarian vampire slayer.
It was at this stage in the formulation of my theory that Iain suddenly burst
into an hysterical fit of laughter. "Ye know were
they were? I'd spat them rite out! They were sitting on top of this old
grandma's head in the front row of the audience!" he guffawed as he licked
the remaining droplets of red wine he'd spilt off his knee.
It just goes to show that all actors, Sir Isaac Newton and Albert Einstein are
right. At any time, in any space, to every action there is an equal and
opposite reaction.
Till we meet again, don't know where, don't know when...........
(Sir) Cecil Edward Steven Simon Poole signing off till next
month.
Ron Smerczak
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|
Name |
Comment |
Date |
|
Mandy |
Well done again, Ron. Your writing
flows so easily. I could just picture the scene. You make the mundane seem
captivating |
2007-12-02 |
|
Erna |
HaHaHa, Ron - but I got lost somewhere...
as did both your characters. So typical of inebriated interaction: each drunk
off on their own planet! Points: 4 |
2007-12-09 |
|
Ginny |
Ron you must be smoking something
in the nicest possible way! |
2007-12-10 |
|
Rose Gradwell |
Ron, what you need is a Points: 2 |
2007-12-11 |
|
Zak Smerczak |
Dad - Are you equating actors’ behaviour
to that of physics and atomic theory? Points 5 - Perfect! This piece of writing, in my opinion, cannot be
improved! |
2007-12-24 |